on your status.
loading a sinfony..in 28 minute
_ ____ ___ _____ • _༎།___ _____ •
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 • _༎།A̫̳̲̫̍͊̓ͧͣͮͨ̓҉̖̓҉̖̓҉̖A̫̳̲̫̍͊̓ͧͣͮͨ̓҉̖̓҉̖̓҉̖.,'.,.:Se_..A̫̳̲̫̍͊̓ͧͣͮͨ̓҉̖̓҉̖̓҉̖2...8 minute
--See more wrote "i try to minute ---¶¶¶¶---- ¶¶¶---¶¶¶A̫̳̲̫̍͊̓ͧͣͮͨ̓҉̖̓҉̖̓҉̖A̫̳̲̫̍͊̓ͧͣͮͨ̓҉̖̓҉̖̓҉̖___ _____
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 _༎།___ _____ • __ • _༎།A̫̳̲̫̍͊̓ͧͣͮͨ̓҉̖̓҉̖̓҉̖A̫̳̲̫̍͊̓ͧͣͮͨ̓҉̖̓҉̖̓҉̖_ ____ ___ _____
 • _༎།___ _____ • __ ____ ___ _____ • _༎།___ _____ • __  ____ ___ _____
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 _༎།___ _____ • __  ____ ___ _____ • _༎།A̫̳̲̫̍͊̓ͧͣͮͨ̓҉̖̓҉̖̓҉̖A̫̳̲̫̍͊̓ͧͣͮͨ̓҉̖̓҉̖̓҉̖.,'.,.:Se_minute
--See more wrote "i try to minut
e ---¶¶¶¶---- ¶¶¶---¶¶¶A̫̳̲̫̍͊̓ͧͣͮͨ̓҉̖̓҉̖̓҉̖A̫̳̲̫̍͊̓ͧͣͮͨ̓҉̖̓҉̖̓҉̖___ _____ • __ ____ ___ _____ • _༎།___ _____ • __ ____ ___
 _____ • _༎།___ _____ • __ ____ ___ ___8 a minute ---¶¶.................28 minute transload / late that"
loading a sinfony by Litsa Spathi
Tuesday, December 28, 2010
Sunday, December 19, 2010
Nipples of Venus - Venusbrüstchen
Nipples of Venus - Venusbrüstchen New Fluxus Pralines Ludwig Rigaud, furthermore, vevived the tradition of the delicisous "Capezzoli di Venere", freely translated Nipples of Venus. This sweet speciality (based on a modern recipe) - tempting chestnut and nougat paste in white or dark chocolate-, which is said to have been enjoyed by Antonio Salieri already in Mozart's time according to the Mozart researcher, Prof. Rudolph Angemüller. was newly developed by Litsa Spathi/Nobody (while she was playing with Allen Bukoff's Fluxus Play Set) for the Fluxus year 2011
Fluxus 50th anniversary
Labels:
Allen Bukoff,
Fluxus video,
Litsa Spathi
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 On a recent radio interview, Language poet Bruce Andrews talked about how, back in the early 70s, using a paper cutter radically changed his work, breaking up his writing into a modular process. It was the correct response for the time. Today, we have immense information moving capabilities at our fingertips and new movements like Conceptual Writing or Flarf are the correct responses for our time. If writing is not taking these new conditions into its poetics, it simply cannot be considered contemporary. If nothing else, what the Conceptual Poetry and Its Others conference did was codify this tendency for the record.
 On a recent radio interview, Language poet Bruce Andrews talked about how, back in the early 70s, using a paper cutter radically changed his work, breaking up his writing into a modular process. It was the correct response for the time. Today, we have immense information moving capabilities at our fingertips and new movements like Conceptual Writing or Flarf are the correct responses for our time. If writing is not taking these new conditions into its poetics, it simply cannot be considered contemporary. If nothing else, what the Conceptual Poetry and Its Others conference did was codify this tendency for the record.