on your status.
loading a sinfony..in 28 minute
_ ____ ___ _____ • _༎།___ _____ •
 __ ____ ___ _____ • _༎།___
 _____ • __  ____ ___ _____ • _༎།___
 _____ • __ ____ ___
 _____ • _༎།___ _____ • __  ____ ___ _____
 • _༎།A̫̳̲̫̍͊̓ͧͣͮͨ̓҉̖̓҉̖̓҉̖A̫̳̲̫̍͊̓ͧͣͮͨ̓҉̖̓҉̖̓҉̖.,'.,.:Se_..A̫̳̲̫̍͊̓ͧͣͮͨ̓҉̖̓҉̖̓҉̖2...8 minute
--See more wrote "i try to minute ---¶¶¶¶---- ¶¶¶---¶¶¶A̫̳̲̫̍͊̓ͧͣͮͨ̓҉̖̓҉̖̓҉̖A̫̳̲̫̍͊̓ͧͣͮͨ̓҉̖̓҉̖̓҉̖___ _____
 • __ ____ ___ _____ • _༎།___ _____ • __ ____ ___ _____
 • _༎།___ _____ • __ ____ ___ _____ • _༎།___ _____ • __ ____ ___ _____ •
 _༎།___ _____ • __ • _༎།A̫̳̲̫̍͊̓ͧͣͮͨ̓҉̖̓҉̖̓҉̖A̫̳̲̫̍͊̓ͧͣͮͨ̓҉̖̓҉̖̓҉̖_ ____ ___ _____
 • _༎།___ _____ • __ ____ ___ _____ • _༎།___ _____ • __  ____ ___ _____
 • _༎།___ _____ • __ ____ ___ _____ •
 _༎།___ _____ • __  ____ ___ _____ • _༎།A̫̳̲̫̍͊̓ͧͣͮͨ̓҉̖̓҉̖̓҉̖A̫̳̲̫̍͊̓ͧͣͮͨ̓҉̖̓҉̖̓҉̖.,'.,.:Se_minute
--See more wrote "i try to minut
e ---¶¶¶¶---- ¶¶¶---¶¶¶A̫̳̲̫̍͊̓ͧͣͮͨ̓҉̖̓҉̖̓҉̖A̫̳̲̫̍͊̓ͧͣͮͨ̓҉̖̓҉̖̓҉̖___ _____ • __ ____ ___ _____ • _༎།___ _____ • __ ____ ___
 _____ • _༎།___ _____ • __ ____ ___ ___8 a minute ---¶¶.................28 minute transload / late that"
loading a sinfony by Litsa Spathi
Tuesday, December 28, 2010
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 On a recent radio interview, Language poet Bruce Andrews talked about how, back in the early 70s, using a paper cutter radically changed his work, breaking up his writing into a modular process. It was the correct response for the time. Today, we have immense information moving capabilities at our fingertips and new movements like Conceptual Writing or Flarf are the correct responses for our time. If writing is not taking these new conditions into its poetics, it simply cannot be considered contemporary. If nothing else, what the Conceptual Poetry and Its Others conference did was codify this tendency for the record.
 On a recent radio interview, Language poet Bruce Andrews talked about how, back in the early 70s, using a paper cutter radically changed his work, breaking up his writing into a modular process. It was the correct response for the time. Today, we have immense information moving capabilities at our fingertips and new movements like Conceptual Writing or Flarf are the correct responses for our time. If writing is not taking these new conditions into its poetics, it simply cannot be considered contemporary. If nothing else, what the Conceptual Poetry and Its Others conference did was codify this tendency for the record.
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